One Thousand Ships (I Want to Be)


I’ve been on Tumblr too long and thought this would be about relationship ships, and it’s…very much not.  Honestly, it’s better.  There are some phrases in this I never expected to hear sung.
Performed by Andrew Ross, with Sunnie Larsen, CD Woodbury and David Rogers, at Orycon 37.  A parody of you-know-what, by the Proclaimers.

The Ballad of Sandra Bland


Miles Vorkosigan posted this on Facebook and called it “a revenge ballad that is maybe the most controversial thing I perform in public.”  Seems like the kind of folklore we need right now.
Lyrics under the cut.

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axonsandsynapses:

Filk 101: An Introduction

What is Filk? In lieu of trying to effectively explain it myself, I will shamelessly steal from the guy who literally wrote his thesis on this:

What is filk? Hard question.

Easy answer: the folk music of the science fiction fandom.

Thing is, it doesn’t always sound like folk music, and it’s not even close to all about science fiction. We’ve got singers and rappers, guitarists and accordion players, keyboardists and bodhran-wielders. We’ll take sad songs about space and ballads from the back pages of Mercedes Lackey novels, songs that are strings of innuendo based on Star Trek, songs about gaming, politics, Shakespeare, Kipling, cats, escapism. Songs to the tune of one song, referencing three more songs, making jokes about a sci-fi convention that happened back in the 60’s and speculating about the future of space travel. It’s music fit for Dothraki; it takes what it likes and goes where it will–but it has also become the bardic historian of fandom, and it’s one of the most inclusive and accepting musical traditions of Western civilization. We want you, your three banjo chords, and your truth. And by “truth,” I mean excess emotions about comic books.

On that note, I tried to make a single introductory playlist full of filk classics to educate the uninitiated.

I failed.

The genre is just too diverse to fit on a single mix. So, instead, have four playlists that attempt to introduce this wonderfully weirdass genre. They’re vaguely sorted by theme. I’ve included a mix of old and new filk on each; some “classic” songs that have endured from fandom days of yore, and some more recent music that I think will end up becoming classics for the filkers of the future. 

I’d like to emphasize that these mixes are by no means comprehensive; there’s lots of stuff I wanted to include but just couldn’t fit. I highly encourage people to go explore more after listening.

Here are the sections [full track lists are under a cut, because otherwise this post would be WAY too long]

Unit 1: Parody Everything

Parody is a central theme of filk. There’s a piece of media we like? We make fun of it. There’s a song we like? We make fun of that. There’s a filk song we like? We write yet another filk song to make fun of that.

Unit 2: SPACE!

Filk is obsessed with space travel both fictional and real. Some of the saddest filk songs (referred to as “ose,” derived from the pun “ose, ose, and morose”) are songs set in space. As well as some of the funniest songs. For whatever reason, there are far fewer songs that fall between those categories, so I apologize in advance for any emotional whiplash. I tried my best.

Unit 3: This Is What Happens When You Let Fantasy Novelists Write Music

This tradition began with Mercedes Lackey, who published songs in the backs of many of her novels. A lot of filk is rooted in the fantasy genre, and a bunch of songs are short stories in their own right.

Unit 4: Revenge of the Fairytale Princesses

From the beginning, filk has had a strong feminist bent. One way it manifests is in songs reinterpreting classic female characters or archetypes.

Track lists under the cut…

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The Elf Glade – Meg Davis

Steel and maille and gilded crossbow,
Feather of the ancient wind bird,
Wide as wonder, tall as starlight,
Lords of earth and lords of fire,
Life the love that they desire.
Lords of earth and lords of fire,
Life the love that they desire.

“Elf Glade,” by Meg Davis
Lyrics can be found here, and there are chords provided with a very odd parody by Kanef, though he doesn’t relay the alternate fingerings used in the original.

The Kingdom of Mice, a war song – S. J. Tucker

When we eat the sun will it taste like mouse?
We swear by the dust we shall soon find out!

“The Kingdom of Mice, a war song,” by S.J. Tucker
It seems like a goofy little song, but…it’s not.  It’s terrifying.
Lyrics and chords available here.

Neptune – S. J. Tucker

“Love changes us all, makes us broken, makes us brave, makes us deny ourselves and our very breath, makes us refuse to listen when our hearts tell us that the time has come to move on, to break the surface. “Neptune” is the story of what can happen after you’ve drowned yourself willingly in someone else’s hopes and dreams, and you find that saltwater and shadows no longer sustain you. “Neptune” is the story of what can happen when you’ve lived in sin with a god for long enough that the respective piles of dirty laundry and broken promises have started to really get on your nerves.“  – from S.J. Tucker’s Bandcamp

“Neptune, by S.J. Tucker
We don’t often get fancy-ass music videos round these parts.

Serious Steel – Leslie Fish

So dress your ranks, lift your pikes
Tight as the teeth of a comb.
Rattling, clanking, down the road
Dressed in leather and steel and woad,
All too aware of history’s load
The War is going home!-
The War is coming home!

Pretty much the ultimate power fantasy for an anarchist SCA nerd, “Serious Steel” by Leslie Fish.

Oathbound – Leslie Fish & Heather Alexander

Bonds of blood and bonds of steel
Bonds of god-fire and of need,
Bonds that only we to feel
Bonds of word and bonds of deed,
Bonds we took – and knew the cost
Bonds we swore without mistake
Bonds that give more than we lost,
Bonds that grant more than they take

“Oathbound,” from a novel by Mercedes Lackey, sung by Leslie Fish and Heather Alexander, with Greg Shaver on guitar